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Life After Life: A Novel Paperback – January 7, 2014

4.0 4.0 out of 5 stars 27,737 ratings
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What if you could live again and again, until you got it right?

On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.

Does Ursula's apparently infinite number of lives give her the power to save the world from its inevitable destiny? And if she can -- will she?

Named a 
New York Times Best Book of the Century, Life After Life is darkly comic, startlingly poignant, and utterly original: this is Kate Atkinson at her absolute best.
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Editorial Reviews

Review

"There aren't enough breathless adjectives to describe Life After Life: Dazzling, witty, moving, joyful, mournful, profound. Wildly inventive, deeply felt. Hilarious. Humane."―Gillian Flynn, author of the #1 New York Times bestseller Gone Girl

"
Life After Life is a masterpiece about how even the smallest choices can sometimes change the course of history. It's wise, bittersweet, funny, and unlike anything else you've ever read. Kate Atkinson is one of my all-time favorite novelists, and I believe this is her best book yet."―J. Courtney Sullivan, bestselling author of Maine and Commencement

"Kate Atkinson's new novel is a box of delights. Ingenious in construction, indefatigably entertaining, it grips the reader's imagination on the first page and never lets go. If you wish to be moved and astonished, read it. And if you want to give a dazzling present, buy it for your friends."―
Hilary Mantel, author of Wolf Hall and Bring Up the Bodies

"An audacious, ambitious book that challenges notions of time, fate and free will, not to mention narrative plausibility...[Atkinson's] writing is funny and quirky and sharp and sad - calamity laced with humor - and full of quietly heroic characters who offer knowing Lorrie Moore-esque parenthetical asides...Atkinson's true genius is structure...Each version is entirely and equally credible."―
Sarah Lyall, New York Times

"An exercise in narrative gutsiness; a meditation on history, contingency, and free will; and the best new novel I've read this year."―
Kathryn Schulz, New York Magazine

"[Atkinson's] latest novel,
Life After Life, is her very best... A big book that defies logic, chronology and even history in ways that underscore its author's fully untethered imagination... Even without the sleight of hand, Life After Life would be an exceptionally captivating book with an engaging cast of characters... [Atkinson's] own writerly cradle was rocked by a very sure hand indeed."―Janet Maslin, New York Times

"Audacious, the kind of sweeping virtuoso epic that actually earns overheated book-jacket phrases like 'tour de force!'...Atkinson is a fantastic storyteller... It's all so richly imagined and ingeniously executed that the mystery feels right. Her domestic vignettes and wide-screen portraits of wartime resonate with startling physical and emotional clarity, and even her repetitions find fresh revelations... What Atkinson has mastered: shining a light on how full life is of choices and chance, and how lucky we are to live it."―
Leah Greenblatt, Entertainment Weekly

"The Blitz segments vibrate with life, as vivid and horrifying as a series of glimpses into a charnel house...The natural exuberance of Atkinson's prose is brought into sharp, precise control. Buried inside
Life After Life is the best Blitz novel since Sarah Waters's The Night Watch."―Steve Donoghue, The Washington Post

"Fascinating... A tour de force that ponders memory and déjà vu-and puts history on a very human scale."―
Parade

"[Atkinson] is nothing if not clever...A fine writer...filling the pages with a liveliness and intelligence...Ursula's quest to 'get it right' gradually becomes less important than Atkinson's talent to create such an entertaining and suspenseful story that tells many versions of the history of the 20th century."―
Bob Hoover, The Minneapolis Star Tribune

"Ambitious...[Atkinson] can be playful and profound, an enjoyable storyteller as well as an artful writer...She gives us a complete picture of an upper-class British family as it moves into the modern era, and in such a way that we are left sifting through the many turns a life can take and contemplating the consequences thereof."―
Sherryl Connelly, New York Daily News

"Audacious and darkly mysterious...Atkinson is a master of structure...A sense of dread but also one of hope infuse the novel...Even the canniest reader can't predict what will happen next, so the long novel remains absorbing until its end. It lightly raises questions about the meaning of life and death and identify, fate and chance, and leaves them unanswered to echo in the reader's mind after the final page."―
Margaret Quamme, Columbus Dispatch

"
Life After Life is a hypnotic dance of causality and chance, in which Ursula makes genuine progress...[Life After Life] displays...trapeze-artist panache, releasing plotlines into the oblivion of one past life only to retrieve them, to the reader's appreciative gasps, in a later one...It's rich in the gravity and texture of reality... Marvelously vibrant...Atkinson makes every one of Ursula's lives, as well as the lives of those she touches, feel inestimably precious."―Laura Miller, Salon

"A densely layered, century-sprawling work that is a formidable bid for the brass ring of the U.K.'s prestigious Man Booker Prize.
Life After Life is a drama of failures and providential rebirths...High-concept premise...A deft and convincing portrayal of an English family's evolution across two world wars...Marvelous...Not only does she bring characters to life with enviable ease, she has an almost offhand knack for vivid scene-setting ...Her storytelling prowess is on fullest display in a gorgeous and nerve-racking novella-length chapter set during the Blitz ... It's spellbindingly done."―Sam Sacks, The Wall Street Journal

"Delightfully precocious and darkly moody... Revealing and straightforward... Originality is the jumping-off point for this especially unique novel, and readers looking for something fresh should take a chance. Readers already in love with Atkinson's novels, and equally besotted with Jackson Brodie, will be just as pleased with the life - the lives - of Ursula Todd."―
Carol Memmott, USA Today

"Masterful...Atkinson not only invites readers in, she also asks them to give up their preconceptions of what a novel
should be, and instead accept what a novel can be... What impresses me about this flip book of nonstop scenarios - in wartime and peacetime - is not only how absorbing they are, but how brave Atkinson is to have written them. After all, there really isn't much recent precedent for a major, serious yet playfully experimental novel with a female character at its center. Good for her to have given us one; we needed it...She opened her novel outward, letting it breathe unrestricted, all the while creating a strong, inviting draft of something that feels remarkably like life."―Meg Wolitzer, NPR.org

"Gripping and sophisticated...Enthralling...[Atkinson] deftly captures the cruel frailty of life with judicious compassion...No writer alive makes for better company on the page-knowing, funny, and prodigally inventive: Ursula is a magnificent creation, but dozens of finely drawn secondary characters (her bohemian Aunt Izzie alone would make this book worth reading) force her to fight for the spotlight on every page...Unflaggingly curious and unfailingly open-minded, Atkinson is like some great snoop, prowling among life's mysteries, turning the commonplace inside out...Literary and entertaining all at once, Atkinson is a sophisticated artist who also can keep you up well past bedtime, and that double-barreled talent is on display as never before in
Life After Life. My first reaction upon finishing it was to imitate the unsinkable Ursula and begin all over again."―Malcolm Jones, The Daily Beast

"Atkinson has turned a high-concept conceit into an intricately crafted, totally engaging new novel...Atkinson combines the cleverness of metafiction with the warmth and detail of period fiction for an end result that is satisfyingly original."―
Yvonne Zipp, Christian Science Monitor

"Atkinson has a knack for puzzle-making...creating a series of narrative fragments that cohere into a breathtaking whole...By the final chapters, it's clear that Ursula is gaining on something much bigger than any of her lives: a true calling. Watching that pursuit is frequently heartbreaking and entirely thrilling."―
Katie Arnold-Ratliff, Time

"Inventive...This ingenious narrative conceit not only illustrates how seemingly small decisions can affect our lives, it also allows us as readers to inhabit a novelist's creative process...Atkinson has crafted a narrative that pushes us to think about our own choices... Some of Ursula's narratives are so compelling, so convincing, that it is hard to imagine her ending up any other way."―
Carolyn Kellogg, Los Angeles Times

"
Life After Life is dark and funny and suspenseful and sad all at the same time."―Emily Ecton, NPR (Great Reads of 2013)

"It is in the depiction of Ursula's loving yet contentious family that
Life After Life truly shines...a dazzling, intricate and entertaining novel."―Michael Berry, San Francisco Chronicle

"A thoroughly entertaining, periodically moving read, and a wholly unique addition ... Atkinson never so much as flirts with pathos; her ethos and heroine are as unsentimental as the times require."―
Eugenia Williamson, Boston Globe

"Sure to be one of the most talked-about books of the year.
Life After Life is a dazzling juggling act...(by all means, read this book)."―Mary Ann Gwinn, Seattle Times

"You can't put down
Life After Life until you finish it, and then I suggest you read it a second time."―Bob Hoover, Dallas Morning News

"Dazzling...the fantasy behind that reality turns out to be rivetingly complex."―
Karen Holt, O, the Oprah Magazine

"I cannot recommend this book enough. It's nothing short of a genre-bending masterpiece - thoughtful and compelling, convoluted in plot but clear in resolve. If I had many lifetimes, I would make sure to read
Life After Life in each."―Kevin Nguyen, Grantland

About the Author

Kate Atkinson's first novel, Behind the Scenes at the Museum, was named England's Whitbread Book of the Year in 1996. Since then, she has written eleven more ground-breaking, bestselling books. She lives in Edinburgh, Scotland.

Product details

  • Publisher ‏ : ‎ Back Bay Books; Reprint edition (January 7, 2014)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 560 pages
  • ISBN-10 ‏ : ‎ 0316176494
  • ISBN-13 ‏ : ‎ 978-0316176491
  • Lexile measure ‏ : ‎ 970L
  • Item Weight ‏ : ‎ 2.31 pounds
  • Dimensions ‏ : ‎ 5.45 x 1.6 x 8.25 inches
  • Customer Reviews:
    4.0 4.0 out of 5 stars 27,737 ratings

About the author

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Kate Atkinson
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Kate Atkinson is an international bestselling novelist, as well as playwright and short story writer. She is the author of Life After Life; Transcription; Behind the Scenes at the Museum, a Whitbread Book of the Year winner; the story collection Not the End of the World; and five novels in the Jackson Brodie crime series, which was adapted into the BBC TV show Case Histories.

Customer reviews

4 out of 5 stars
27,737 global ratings
  • 5 star
    43%
  • 4 star
    29%
  • 3 star
    16%
  • 2 star
    7%
  • 1 star
    5%
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Customers say

Customers find the story entertaining and interesting. They appreciate the thought-provoking concept and character development. Many praise the author's skill as a gifted storyteller. However, some feel the book is too long and repetitive, making it unsatisfying. There are mixed opinions on the writing quality, with some finding it well-written and precise, while others consider it overly descriptive and repetitive.

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Story qualityThought provokingCharacter developmentAuthor's skillWriting qualityStorylinePacingValue for time
1,542 customers mention "Story quality"1,537 positive5 negative

Customers enjoy the story's quality. They find it entertaining, interesting, and worth reading. The details are well-written and savored. The premise is unique and the characters are well-developed.

"...She tells the story through an omniscient point of view and her use of grim humor shows how Ursula is able to distance herself from this..." Read more

"...about the characters is that there is a diversity of them; likeable, unlikeable, difficult, sharing, selfish... without them devolving into mere..." Read more

"...However, the war years were incredibly written, and brought to life, and that was some of my favorite reading, the descriptions allowed the reader..." Read more

"...place at Ursula's family home, Fox Corner, are a wonderful depiction of life in the country, showing both the charm and the harsher side of that life..." Read more

919 customers mention "Thought provoking"906 positive13 negative

Customers find the book thought-provoking and engaging. They appreciate the intriguing concept of a life that begins, ends, and starts again. The book is described as different, unique, and beautifully written. Readers mention it's serious but has dark humor. It raises interesting questions about life and existence.

"...I like the wholeness of this idea, humans sharing the world with nature and other creatures...." Read more

"...It's a serious book, but there is a certain amount of dark humor that appears in all of Atkinson's work. What this book is asking is what is fate?..." Read more

"...The result, for me, was a rather novel experience in which I read in constant anticipation of death, the precise state of mind in which Kierkegaard..." Read more

"...The central idea, the take away for me, was more mundane: this novel is about living and managing and coping and being weak sometimes and being..." Read more

462 customers mention "Character development"365 positive97 negative

Customers find the characters compelling and well-developed. They appreciate the portrayal of rich, deep characters with intelligent writing. The history is seen through the characters' eyes, making the heroine open and giving. The cast is well-managed, though some characters are easy to dislike.

"...Evil characters such as Maurice are easy to hate and there are plenty of in-between and complicated characters with complicated traits that make..." Read more

"...Another thing that appeals about this is the characterisation. It would be hard to say that we know many of the characters intimately...." Read more

"...Part of why it works is that it is grounded by her wonderful, believable characters (another Atkinson specialty)...." Read more

"...While events changed for Ursula as she'd live longer, the secondary characters remained flat, and little if any change occurred...." Read more

135 customers mention "Author's skill"135 positive0 negative

Customers find the book thought-provoking and engaging. They praise the author's descriptive writing, storytelling ability, and imagination. The author is described as a gifted storyteller who brings the past to life with her mastery of language.

"...And she brings the past to vivid life, particularly the Blitz...." Read more

"...Overall a very heartwarming, funny, and exciting read. I loved it!!" Read more

"...She also examines a wide range of emotions through her characters...." Read more

"...I heartily recommend Life After Life to everyone who appreciates excellence in literature and welcomes a bit of a challenge. Enjoy!" Read more

1,385 customers mention "Writing quality"837 positive548 negative

Customers have mixed opinions about the writing quality. Some find it well-written and detailed, with precise prose and polished writing style. Others find parts repetitive, confusing, and difficult to follow, especially in the middle of the book.

"...I also like the way Atkinson repeats and ties together phrases and presents them in different scenarios...." Read more

"...These author gyrations are never quite explained (what artist explains his/her work?)...." Read more

"...What this is, in fact, is probably one of the most finely crafted novels I've read, on many levels...." Read more

"...However, the war years were incredibly written, and brought to life, and that was some of my favorite reading, the descriptions allowed the reader..." Read more

1,021 customers mention "Storyline"545 positive476 negative

Customers have different opinions about the storyline. Some find it engaging and thought-provoking, with an authentic life and the premise of repeating life over and over. Others feel the story is not linear, confusing, and unchronological.

"...the repetition of Ursula’s apartment being bombed is the strongest part of the story and Atkinson is able to describe these experiences in a way..." Read more

"...it's much harder to achieve certainty here, given the looping nature of the narrative...." Read more

"...And in between these lives we see her through the warm and fuzzy outlines of a loving family, a father who adores her, a mother who at least likes..." Read more

"...Thus, we are subjected to innumerable repeats of her family life, and members of her family in almost every chapter, which becomes irritatingly..." Read more

379 customers mention "Pacing"160 positive219 negative

Customers have mixed opinions about the book's pacing. Some find it gripping and fast-paced, with well-developed characters that the reader cares about. Others feel it seems to move slowly and drag at times, with constant changes annoying. They also mention a lack of continuity.

"...There is one area where it squibs a little, but unfortunately I can't say very much about that without introducing huge spoilers...." Read more

"...begins with both the birth and death of Ursula Todd and moves in different directions as Ursula’s life is saved or rewritten, leaving the reader to..." Read more

"...No. Between the slowness of some parts..." Read more

"...for me, was more mundane: this novel is about living and managing and coping and being weak sometimes and being unbelievably heroic other times and..." Read more

467 customers mention "Value for time"74 positive393 negative

Customers find the book unsatisfying and repetitive. They feel it's too long and boring. Some readers also mention that the ending is disappointing.

"...But I felt there were too many do-overs and in the final pages, forks seemed to be coming at the reader left and right...." Read more

"...My own take -- fine, even good, but not great. This book presents the unique lives of Ursula Todd...." Read more

"...The repetition was a little bit overdone, and I think could have been fleshed out just a little more. It was just OK...." Read more

"...choices make big differences tomorrow, but after a while it became so repetitive that I was tempted to jump over entire chapters or toss the book..." Read more

Miscut pages
Amazon Customer
1 out of 5 stars
Miscut pages
Multiple pages are so miscut that it's missing parts of the story. At least 5 pages I found just from lightly flipping through to look for more 🙁
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Top reviews from the United States

  • Reviewed in the United States on December 2, 2013
    This is one of the best books I’ve ever read. It is a complicated story that begins with both the birth and death of Ursula Todd and moves in different directions as Ursula’s life is saved or rewritten, leaving the reader to wonder whether we are seeing how fate could have taken different turns or if Ursula herself is somehow able to rewind tragedies and try to get them right the next time.

    Set in England and beginning in 1910, this story spans both World Wars, but focuses on the period during World War II and the heavy toll it took on Europe. Ursula’s different life paths place her at the center of the German bombings in London for much of the book. In a separate turn of life, she spends time in Germany and twice almost manages to rewrite Adolf Hitler’s fate.
    I spent some time reading reviews of Life After Life and, instead of finding all four- and five-star reviews, I found a considerable number of reviews that complained about how complicated and hard to follow this story is. I think there is some truth in these comments and the only way to thoroughly enjoy Life After Life is to study it and take notes - it is worth this effort! I read Life After Life on my Kindle and, although I like paging back and forth with a real book, the “Search” feature made it easy to check on the many details. As I did all this, I started to see Ursula’s lives as a kind of river, with tributaries taking it in different directions.

    There are many things I like about Atkinson’s writing style in Life After Life. She makes many references to animals, particularly foxes, rabbits, dogs and cats, and ties both their influence and fates into the characters. For example, a seemingly unimportant dog, later named Lucky, changes Ursula’s fate and has a strong positive influence on both Ursula and her brother Teddy. I like the wholeness of this idea, humans sharing the world with nature and other creatures.
    I also like the way Atkinson repeats and ties together phrases and presents them in different scenarios. The phrase, “Practice makes perfect” is particularly meaningful as Ursula’s lives rewind and play back with different twists. Sylvie’s frequent comment, “Needs must” is repeated by her daughters at important times and is an example of their mother’s influence, despite their emotional distance from her. In addition, I think the author’s use of dialogue is great, especially when she ends chapters with a short comment. What else is there for Izzie to say, for example, when Ursula shows up at her door twice with bad news? “You’d better come in then.” That says it all.

    Atkinson uses small details that change as this story moves forward and backwards. These details appear most notably in the scenes with Bridget and the Spanish flu. Ursula’s strong desire to save Bridget leads to a variety of outcomes as do her efforts to save Nancy from an awful fate. Many iterations of these scenes lead to different outcomes, some ironic, some heartbreaking and I think Atkinson touches on the “What if?” way of thinking that we all experience in our lives.

    I think the repetition of Ursula’s apartment being bombed is the strongest part of the story and Atkinson is able to describe these experiences in a way that shows what it must have been like for people living in London during the Blitz. She tells the story through an omniscient point of view and her use of grim humor shows how Ursula is able to distance herself from this destruction and death.

    I always have favorite characters and this time it’s Hugh. He loves Ursula, makes his point with Sylvie and makes you wish to know someone like him. Evil characters such as Maurice are easy to hate and there are plenty of in-between and complicated characters with complicated traits that make you feel conflicted.

    There’s a lot more to Life After Life, most notably Hitler’s treatment of Jews and the ultimate “What if?” question: Could the Holocaust have been prevented if Hitler had been killed before he became evil?

    Ursula asks Ralph, “Don’t you wonder sometimes, if just one small thing had been changed, in the past, I mean. If Hitler had died at birth, or if someone had kidnapped him as a baby and brought him up in – I don’t know, say, a Quaker household – surely things would be different.”

    And Ralph’s answer – “But nobody knows what’s going to happen. And anyway he might have turned out just the same, Quakers or no Quakers. You might have to kill him instead of kidnapping him. Could you do that? Could you kill a baby?” So in the end, there is still this dissatisfying answer about fate and stopping evil.

    An open ending leaves many questions to this book. But friendship and love and happiness find a way to develop in even the most terrible scenarios of this story and I think this is the author’s message of hope.

    Ignore the negative reviews. This book is definitely worth the effort!
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  • Reviewed in the United States on May 25, 2015
    I came to this book indirectly. A bookshop opposite my bus stop had a sign in the window for its successor, A God In Ruins. That led me back here, with mixed feelings. While I'm (perhaps too) attracted to the "What If" genre, it's only occasionally done well and I feared that this would be nothing more than Ken Grimwood's "Replay" reheated. (It's not. Not even remotely. And that's not a reflection one way or the other on Replay, they're simply very different books.) In any case I gave it a chance and read the introductory chapters, one of which introduced the central character's parents. A couple of lines had me with my face in my hands thinking "Not the 'free spirited woman stifled by a boring, unimaginative man' thing again, because that NEVER gets old." And thankfully, it wasn't. Again, not even remotely. Once I got into the story proper I could barely stop until I'd devoured the entire thing.
    What this is, in fact, is probably one of the most finely crafted novels I've read, on many levels. I'm giving away nothing (that isn't on the dust jacket) by saying that it's the story of a woman (Ursula Todd) whose life keeps repeating from her birth in 1910 up to her death in... well, that varies. She has no direct recollection of her past lifecycles, up to a point. She has only instincts about the things that happened, some of which she can influence, some of which she can't. The path of her own life runs differently depending on events that happen or don't; sometimes the difference is radical, sometimes more subtle. Not all of these things are in her control, as other people also make different decisions along the way. None of us are complete masters of our own destiny, much as we would like to believe otherwise.
    I don't think we ever see one complete path of Ursula's life, and this restraint on the part of the author is one of the things that make it such a good piece of writing. It must have been tempting to work through the whole timeline each time and milk it for all it's worth. Instead we're just taken to key points in Ursula's life in each cycle. Sometimes briefly, sometimes in detail. We see the things that determine the current cycle's path, or the outcomes of those things. Sometimes differences that have already occurred are alluded to, sometimes they're assumed to have changed in the way they had in a previous cycle. And sometimes it's left to the reader's imagination. (And at one point Atkinson throws us a nicely crafted curve which tricks the reader, but I can't describe that without a spoiler. It's after the war, and you'll know it when you see it.
    Another example of this is with Ursula's parents. There's another entire story there, yet we're offered only glimpses into it. We know about certain events but we never get to find out what the context of those events was... much as Ursula herself doesn't. In real life you can never know everything about another person, no matter how close you are. Atkinson resists the temptation to prop the reader into the "God seat" and take them behind the scenes. Oddly this makes the read more rather than less gratifying. There are no neatly wrapped endings or explanations, no unquestionable truths. (Not even for Ursula's own life, much less those that her life crosses with.) The reader is therefore drawn into the story, to make of certain things what they will, never knowing for sure whether they were right about them. Again, much like life, really. Aside from which it's much harder to achieve certainty here, given the looping nature of the narrative. Did Ursula's mother have an affair in one of Ursula's lives but not another? Did she have an affair in none of them, and the hint that we were thrown in one cycle was simply an out of context distraction? More intriguingly, has Atkinson preserved material for another follow up book or two?
    Another thing that appeals about this is the characterisation. It would be hard to say that we know many of the characters intimately. They're sketches rather than detailed paintings, but again, that's pretty true to life. However they're generally consistent sketches, though with some discordant notes here and there. (Even in the little details; I could never imagine her sister Pamela smoking as she did in one cycle, for example (especially given her scientific leanings and her husband's description of autopsies of smokers), but it's not beyond the bounds of possibility especially given that in that cycle her mother did as well.) Yet these notes are not so much "completely out of character" as "this is another path this character might have gone down". Another example is when Ursula found out that her one time / some times boyfriend had acquired a taste for a particular sport in his later years despite disliking it when she knew him.
    We all change... and doubtless we would change in different ways in different circumstances. This, I think, is part of Atkinson's point.
    For me the key thing about the characters is that there is a diversity of them; likeable, unlikeable, difficult, sharing, selfish... without them devolving into mere caricatures. There is a certain sameness about how people are supposed to react to the characters - for example, everyone supposedly loving Teddy when I only felt somewhat indifferent to him and couldn't understand why he was the loveable one - but I think that was done mainly to avoid the need to get bogged down in minutiae. This, after all, is Ursula's story. Teddy has his own in the sequel, something that I have no doubt Atkinson had in mind as she was writing this one.
    Finally the storytelling. In a couple of instances I could see clearly where things would lead, and yet the writing, the characters and the story itself kept me moving along with it to discover the specifics. Your mileage may vary, but I for one wasn't disappointed.
    There is one area where it squibs a little, but unfortunately I can't say very much about that without introducing huge spoilers. In the afterword Atkinson refers to one of her motivations in writing the book, which is one of history's "What Ifs". And yet that very thing is what is ultimately glossed over. Suppose that your life was to be dedicated to nudging history in a different direction? First, "why you?" given that (in this case) someone born 5 years earlier and elsewhere in the world would be much better at giving it that nudge? Second, can you even make a difference to the broad sweep of history, as opposed to the lives of a few individuals? (Michael Crichton's "Timeline" had an interesting discussion on this. The book, not the movie. Gods no, not the movie, please.) Third, if you do change it, how can you be sure that you are changing it for the better rather than the worse? Fourth, even if you do change it for the better is that what your life then becomes; an endless loop of going back and doing the same sequence of things over and over again, for if so, what's the point? Stephen King's 11/22/63 spent chapters on some of these issues (and King is hardly a terse writer), yet they remain relatively unexamined in "Life After Life".
    But in the overall scheme of things that's a minor niggle in a book as good as this one. When it comes to the difference between words and deeds, my next deed after posting this review will be to buy its sequel.
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  • Amazon Customer
    5.0 out of 5 stars Great Read
    Reviewed in Canada on October 23, 2024
    Very interesting concept of writing, but the story is endless possibilities in life. Thorough enjoyed it.
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  • James
    5.0 out of 5 stars Satisfaite
    Reviewed in Belgium on September 27, 2024
    Loisir
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  • Morrigan
    5.0 out of 5 stars Un livre extraordinaire
    Reviewed in France on July 12, 2019
    Tous les livres de Kate Atkison sont excellents. Et à chaque fois on trouve le nouveau livre encore meilleur que le précédent. Son écriture, ses personnages et ses descriptions historiques nous font littéralement vivre le livre. Dans ce livre seul le prologue de deux pages est raté. L'histoire qui part sur un principe de science-fiction (plusieurs morts et renaissances pour la même vie) ne donne pas du tout l'impression d'un livre de science-fiction. C'est très littéraire tout en étant accessible, extrêmement bien documenté historiquement. Il y a des moments d'émotion très poignants notamment à Berlin lorsque les russes s'emparent de la ville. Je n'en dis pas plus pour ne pas divulgâcher (comme disent nos amis québécois) une partie très importante de l'histoire.
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  • Esperanza
    5.0 out of 5 stars Historia original
    Reviewed in Spain on October 6, 2018
    Lo elegí porque ya había leído otro libro de la autora que me gustó mucho. Este me ha gustado incluso más. Premisa muy original. Lo he disfrutado tanto que me dio pena que se acabara.
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  • Mama Poco
    1.0 out of 5 stars ゲームっぽい
    Reviewed in Japan on November 19, 2020
    ストーリーは風変わり。
    死んだらBad End となり、もう一度チャレンジ。
    最後には、作者は何が伝えたのかったのかしらが、わからなくなりました。
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